It’s Here! Mariah Celebrates #Glitter25!

Mariah is releasing Glitter on vinyl for the first time in 25 years! Featuring songs such as “Loverboy”. “Never Too Far”, and “Lead The Way”, Glitter explores themes of love, ambition, heartbreak, and self-discovery. In recent years, the album has gained a devoted following and is now widely appreciated for its nostalgic production, powerful ballads, and creative fusion of classic disco with contemporary R&B and hip-hop.

To celebrate its 25th anniversary, the album is being reissued on vinyl for the first time since its original release, pressed on 2LP limited Glittering Pink color vinyl with three bonus tracks, including “Out Here On My Own”. #JusticeForGlitter #Glitter25

You can pre-order at shop.mariahcarey.com!


Mariah Celebrates #Daydream30!

Mariah Carey is celebrating the 30th anniversary of her iconic 1995 album Daydream by releasing a massive deluxe edition Daydream (30th Anniversary Edition).

The collection features rare demos, live performances, new remixes, and makes the legendary Live at Madison Square Garden concert available and more!


Mariah Named One of the 30 Greatest Living American Songwriters

Pop, in the American sense, is democracy in melody, consensus in chorus. And Mariah Carey, having written or co-written 18 of her 19 No. 1 singles, stands at its summit, right up there with the Beatles (with 20 No. 1s), translating feeling into something lushly intimate and vast.



In 1990, she steps into a crowded field — Janet Jackson, Madonna, En Vogue, Taylor Dayne — with “Vision of Love,” threading gospel sinew through R&B muscle. By the time she reaches the effervescence of “Dreamlover” (1993) and “Always Be My Baby” (1995), she’s refining a lexicon of longing: the phrasing, the internal rhymes, the way sleek aria deftly delivers desire.

Then comes the stroke of authorship as cultural force. With the 1995 “Fantasy” remix featuring Wu-Tang Clan’s Ol’ Dirty Bastard, Carey institutionalizes hip-hop’s marriage to pop soul. Without that instinct and that push through the closed-mindedness of the era, there is no modern hybrid of rap and pop as we know it today. “Honey,” “Heartbreaker” and the sublime “We Belong Together” — they all carry that hybrid DNA from a songwriter thinking in moods and collisions: “Bobby Womack’s on the radio / Saying to me, ‘If you think you’re lonely now’ / Wait a minute this is too deep (too deep) / I gotta change the station / So I turn the dial trying to catch a break / And then I hear Babyface: / I only think of you.” Carey claims everything. Her pen moves with the same agility as her voice.

And yet, the messy mythology of the “diva” has done its damage. The word — so often a diabolical four-letter dismissal — recasts precision as excess, ambition as ego, obsession as spectacle. But the truth about Carey is that beyond songwriting, she functions as architect of her vocal universe, constructing chords, layering note upon note for a precise emotional result. This gives her work irresistible momentum. That rich compositional energy emerges even now in beloved memes of goofy, ecstatic love and in the work of songwriters like Olivia Dean, Muni Long and Victoria Monét.

If a man had created and curated culture from the center of nearly every cool 1990s party, every all-night session and every aesthetic shift — fashion, club sound, radio, film, tabloid — he’d be canonized as a visionary. Carey already is one. — Danyel Smith

Source – Nytimes.com


Rock and Roll Hall of Fame 2026: Phil Collins, Lauryn Hill, Mariah Carey, Oasis, Pink Lead Nominees

The nominations for the Rock and Roll Hall of Fame‘s Class of 2026 are in – and the list includes Phil Collins, Lauryn Hill, Mariah Carey, Oasis, Pink, the Black Crowes, Jeff Buckley, Melissa Etheridge, Billy Idol, INXS, Iron Maiden, Joy Division/New Order, New Edition, Sade, Shakira, Luther Vandross, and the Wu-Tang Clan.

The inductees will be announced in April alongside the acts receiving the Musical Influence Award, the Musical Excellence Award, and the Ahmet Ertegun Non-Performer Award. The annual ceremony will take place in the fall.

“This diverse list of talented nominees recognizes the ever-evolving faces and sounds of Rock & Roll and its continued impact on youth culture,” says John Sykes, Chairman of the Rock & Roll Hall of Fame Foundation. “Induction into the Rock & Roll Hall of Fame is music’s highest honor and we look forward to celebrating the Class of 2026 this fall.”

To qualify for this year’s ballot, each nominee’s first single or album had to have been released in 2001 or earlier. Ten of the 17 nominees (Buckley, Collins, Etheridge, Hill, INXS, New Edition, Pink, Shakira, Vandross, Wu-Tang Clan) are on the ballot for the first time. They’re all been eligible in prior years.

This is the third nomination for Carey, Iron Maiden, and Joy Division/New Order, and the second for the Black Crowes, Oasis, Sade, and Idol.

Read more…


2026 Winter Olympics Opening Ceremony

Mariah Carey performed “Volare (Nel Blu, dipinto di Blu)” and “Nothing Is Impossible” at the 2026 Milan Cortina Olympic Opening Ceremony. I’ve added over 700 photos from the event to our photo gallery! Sorry that this update was a little delayed. I had an injury and am still healing.


Mariah Carey’s MusiCares Tribute Lineup Includes Foo Fighters, Jennifer Hudson, John Legend, Laufey, Adam Lambert and More

Mariah Carey’s MusiCares Tribute Lineup Includes Foo Fighters, Jennifer Hudson, John Legend, Laufey, Adam Lambert and More

MusiCares has announced a lineup of artists set to perform the music of Mariah Carey at the org’s Person of the Year gala benefit this month, with a diverse cast that runs from fellow pop-R&B veterans John Legend and Jennifer Hudson to the possibly most surprising choice, Foo Fighters.

Other luminaries announced Tuesday to be on the all-star bill for the Jan. 30 benefit include Teddy Swims, Adam Lambert, Laufey, Maggie Rogers, Charlie Puth, Kesha, Taylor Momsen and Billy Porter.

Jermaine Dupri will also add to the night’s music with a special DJ set. Additional artists will be announced in the run-up to the event. Daniel Moore II will serve as musical director. Lewis & Clark, aka broadcast veterans Joe Lewis and R.A. Clark, will produce.

“I’m deeply honored to have these extraordinary artists come together for this evening,” Carey said in a statement. “Their generosity, their presence, and their commitment to this moment mean more to me than I can express. Being part of this celebration in benefit of MusiCares and the support they provide to those in the music community makes this night even more special. I’ve always believed that music heals, and it’s meant to be shared.”

The event takes place at the L.A. Convention Center two nights before the Grammy Awards, as almost always, and consists of a live auction and cocktail reception preceding a dinner, running up to an extravagant musical salute on two different stages within the grand ballroom.

“Mariah Carey’s music has touched the hearts of millions and inspired countless artists,” said Theresa Wolters, executive director of MusiCares, in a statement. “It will be thrilling to hear these performers bring their own voices to her landmark songs, offering fresh interpretations that celebrate her artistry in new ways — a reminder of the power of music to connect us all. Person of the Year is more than a tribute: it’s a moment for our community to come together and give back to the humans behind the music. The support raised through this gala allows us to stand with music professionals in ways that truly matter, caring for their mental and physical health, addressing unexpected challenges, and helping them build the foundation for sustainable, fulfilling careers.”

Source – Variety.com


Mariah Carey Named 2026 MusiCares Person of the Year: ‘Her Voice Has Shaped the Sound of Our Times’

Mariah Carey will be honored as the 2026 MusiCares Person of the Year at the organization’s annual fundraiser. The event will be held on Friday, Jan. 30 at the Los Angeles Convention Center, two days before the 68th annual Grammy Awards at the adjacent Crypto.com Arena.

Carey will become the youngest person of the year honoree since Sting received the honor in 2004. She will become the youngest woman to receive the honor since Gloria Estefan, who was just 36 when she received the honor in 1994.

“We are honored to recognize Mariah Carey as this year’s MusiCares Person of the Year, a true creative force and once-in-a-generation talent,” Harvey Mason jr., CEO of the Recording Academy and MusiCares, said in a statement. “Her artistry and her voice have helped shape the sound of our times. We look forward to celebrating her remarkable career on this very special night.”

This will be MusiCares’ 35th benefit gala. (The event wasn’t held in 2021 because of the COVID-19 pandemic.) The gala has raised millions of dollars to support MusiCares’ programs, including health and wellness services, addiction recovery, preventive care, disaster relief, and emergency support for music professionals.

The first Person of the Year gala (honoring David Crosby) was held in 1991, two days before the 33rd annual Grammy Awards ceremony at which Carey won her first two Grammys – best new artist and best pop vocal performance, female for breakthrough smash, “Vision of Love.”

Carey joins a distinguished list of MusiCares honorees. The last five recipients of the award are Aerosmith, Joni Mitchell, Berry Gordy and Smokey Robinson, Jon Bon Jovi and Grateful Dead.

Carey’s philanthropic works include providing relief for communities impacted by Hurricane Katrina and the COVID-19 pandemic. She founded Camp Mariah in partnership with the Fresh Air Fund to support underserved youth and has championed initiatives advancing health, education and social welfare.

“Mariah Carey’s influence extends far beyond her remarkable artistry,” Theresa Wolters, executive director of MusiCares, said in a statement. “She has used her platform consistently to provide tangible support to communities, whether through disaster relief, youth empowerment, or programs that help those facing barriers to opportunity. Her work exemplifies the values at the heart of MusiCares: creating systems of care that lift people up and ensure music professionals and communities can thrive. Honoring her as Person of the Year celebrates both her incredible musical legacy and her dedication to making a meaningful difference in the lives of others.”

Read more…


Mariah Carey, Kelly Rowland, and Ravyn Lenae Talk Longevity, Songwriting, and TikTok in Three Generations

Mariah Carey, Kelly Rowland, and Ravyn Lenae Talk Longevity, Songwriting, and TikTok in Three Generations

Mariah Carey is challenging Ravyn Lenae to chase her dreams. “You’re going to have to get after these things. C’mon, girl,” she says with a giggle, after Lenae shares admiration for women who have created a legacy, like Carey and Kelly Rowland, in the music industry.

Carey, Rowland, and Lenae met up at the Four Seasons Hotel Los Angeles at Beverly Hills for Three Generations of R&B, ELLE’s new series that brings women together for cross-generational conversations. Carey, who is a true legend in the genre, is fresh off the release of her new album Here for It All. Former Destiny’s Child member and music industry veteran Rowland is hitting the road on The Boy Is Mine Tour with Brandy and Monica. Lenae, a breakthrough in the industry with her hit song “Love Me Not,” is about to join Sabrina Carpenter on her Short n’ Sweet Tour. The three powerhouses are at different stages in their lives, but they’ve had shared experiences, similar challenges, and, of course, many hits between them.

On the impact of Mariah Carey

Kelly Rowland: I actually was you. Dancing in the fields to “Dream lover,” holding flowers to my face and whipping my hair. I was like, “I am Mariah.” I had the shorts like Mariah. I had the tops like Mariah. I decided to get into butterflies like Mariah. Somebody was like, “For God’s sake, like dragonflies!” I was like, “No, it’s about the butterfly.”

Ravyn Lenae: Leading up to today, I was thinking about my first moments with your music. It’s so vivid in my brain of the summers with my little sister and my little cousins in the basement, putting on your album and making up dances to the whole thing, top to bottom…but also, seeing women of color float so effortlessly, between R&B and pop, and whatever she wanted to be, was so divine and important for me.

KR: The first time I met you, it was with [Destiny’s Child]. I remember we were so stoked. I was like, we’re going to look crazy when she turns around and sees us…we were so happy any time there was an encounter with you, period. You were always very warm and very cool.

On Ravyn Lenae’s “Love Me Not”

Mariah Carey: Ravyn, I’m just getting to know your music. But I really do like “Love Me Not.” It’s really good. It has something about it that takes you back to childhood.

RL: Thank you. I think the most interesting thing people say is that is that it feels like it could be from the ’50s, ’60s, ’70s, ’80s.

KR: I remember thinking, “Oh, she likes to break the rules,” in the best way. Not putting you in a box, I think that’s the best thing about listening to all your records, because coming up…people like to put you in a box.

On songwriting

MC: I always loved writing songs, even as a little girl. Being a little kid and just drawing, writing, you know, little things like that. That’s how I grew up to become a songwriter.

KR: Do you remember what [the] first song you wrote was?

MC: There’s so many [that are] a little bit older. I’m trying to think of when I’m little, but I had this song “I’ll Get Back at You.” That’s a reveal for the first time. No one’s ever heard that.

RL: Somebody made you mad. I wrote my first song when I was 15. I remember I was working with a producer from Chicago at the time. There was a studio literally right around my high school, and I was a freshman. I was doing a summer program for kids where you would go, you would do music all day, and they would give you a stipend for it at the end of the summer. So I used my $300 to book that studio session and I recorded that song and the studio, he said, “You don’t ever have to pay for studio time ever again.” And I was like, “Good. ‘Cause I ain’t got no more money.”

KR: I enjoy songwriting when it’s with a whole bunch of people. I don’t actually think I’ve ever sat down to write a song by myself, to be honest. I should actually really try that.

MC: It releases. Even if you have someone just playing on the keys and you’re telling them which way to go.

Read more and watch the video…


Mariah Carey’s ‘Here for It All’ Tops 4 Billboard Album Charts

Mariah Carey’s ‘Here for It All’ Tops 4 Billboard Album Charts

Mariah Carey’s new studio album Here for It All crowns four Billboard album charts (dated Oct. 11), including Top Album Sales, and gives the diva her 19th top 10 on the overall Billboard 200 as it arrives at No. 7.

Here for It All launches with nearly 47,000 equivalent album units earned in the United States in the week ending Oct. 2, according to Luminate, with traditional album sales comprising 39,000 of that sum. In addition to its No. 1 bow on Top Album Sales, the set also leads Top Current Album Sales, Top R&B Albums and Independent Albums. Here for It All (released via Mariah/gamma.) is Carey’s first independently released project after a career within the major system. It’s also her 16th studio album and first studio set since 2018’s Caution.

On the Billboard 200, Carey achieves her 19th top 10 as Here for It All enters at No. 7. Carey becomes only the third woman with at least one new top 10-charted album in the 1990s, 2000s, ‘10s and ‘20s, following Madonna and Shania Twain. Carey made her debut in 1990 with her self-titled release, and it was the first of her nine top 10s in the ‘90s. She then logged six top 10s in the 2000s, three in the ‘10s and now Here for It All in the ‘20s.

Title, Peak Position, Peak Year

  • Mariah Carey, No. 1 (11 weeks at No. 1), 1991
  • Emotions, No. 4, 1991
  • MTV Unplugged EP, No. 3, 1992
  • Music Box, No. 1 (eight weeks at No. 1), 1993
  • Merry Christmas, No. 3, 1994
  • Daydream, No. 1 (six weeks), 1995
  • Butterfly, No. 1 (one week), 1997
  • #1’s, No. 4, 1998
  • Rainbow, No. 2, 1999
  • Glitter (Soundtrack), No. 7, 2001
  • Charmbracelet, No. 3, 2002
  • The Emancipation of Mimi, No. 1 (two weeks), 2005
  • E=MC², No. 1 (two weeks), 2008
  • The Ballads, No. 10, 2009
  • Memoirs of an Imperfect Angel, No. 3, 2009
  • Merry Christmas II You, No. 4, 2010
  • Me. I Am Mariah… The Elusive Chanteuse, No. 3, 2014
  • Caution, No. 5, 2018
  • Here for It All, No. 7, 2025

Over on the latest Hot R&B Songs tally, three songs from Here for It All dot the ranking: “Play This Song” (featuring Anderson .Paak) debuts at No. 11, “Sugar Sweet” (featuring Shenseea and Kehlani) rises 19-17 and the album’s first single, “Type Dangerous,” reenters at No. 24. Meanwhile, Carey collects her first entry on the Hot Gospel Songs chart, as the Here for It All cut “Jesus I Do” (featuring The Clark Sisters), enters at No. 5.

Source – Billboard


Mariah Carey to Receive the 2025 MTV VMAs Video Vanguard Award

Mariah Carey to Receive the 2025 MTV VMAs Video Vanguard Award

Congratulations MC!!! No one deserves this more than you! Can’t wait to watch!

MTV has announced that Mariah Carey will receive the Video Vanguard Award at the 2025 Video Music Awards. Unlike many Video Vanguard winners—like Katy Perry, Shakira, Nicki Minaj, Missy Elliott, Jennifer Lopez, P!nk, and Rihanna—Carey has never actually won a VMA, despite numerous nominations. She’s nominated this year, too, in the Best R&B category, for “Type Dangerous.”

The 2025 MTV Video Music Awards take place on Sunday, September 7, at Long Island’s UBS Arena—a fitting venue for the coronation of Huntington, New York, native Mariah Carey. The show is being hosted by another native Long Islander, Bay Shore’s LL Cool J—a fitting host because Carey presented the Video Vanguard Award to him in 1997.

Carey will release the new album Here for It All on September 26. The long-awaited follow-up to 2018’s Caution will include the singles “Type Dangerous” and “Sugar Sweet.”

Source – Pitchfork.com